Saturday, July 25, 2015

Me, Write Children's Stories?!










   I've said yes to a new project.  Not because it pays well -- it doesn't.  Not because it will bring me recognition -- it won't.  I said yes because it presented me with a unique writing challenge.

   Translation: I've committed to submit a children's story (serialized or stand-alone) every other week to a daily journal.  (They wanted a story a week but I had to re-negotiate!)

   I write for adults as a rule.  I have a novel in progress.  I already have a regular writing practice -- seat to the seat, never a day without a line, and all that.  And yet, I said yes.

   Why?  Because I'm a writer and because it scared me.  To commit to biweekly deadlines was pause-worthy.  To commit to writing for a new audience in a new genre -- with biweekly deadlines -- was unsettling.  But, at the same time, the prospect was intriguing, ... enticing, ... enlivening.

   How could I not say yes?

  So why am I sharing this with you, my dear creatives?  Because I have a question I'd like you to consider:  when was the last time you said yes to something that challenged you creatively?

 


Friday, November 21, 2014

Inspiration for Keeping the Fire Lit

The Gathering  - photo by Mary Lou Bagley 

   Grateful, I have something to share that comes out of a collaborative experience.  Grateful, I have something to say to your creative soul.  Grateful, I honor the spark in you.


   I begin by asking you to listen.  Listen to the call that comes to you on the wind.  Open to the voice that says, "Hey, come join us.  We're going to create something new that's never been seen or imagined before.  Come. We need your light."  


  Then jump.  Even if you aren't sure what this will look or feel like.  Jump.  Especially if you aren’t sure what this will look or feel like.

      ......

   Recently, I experienced a community event, a gathering that was a year in the making.  Portsmouth's poet laureate, Kimberly Cloutier-Green, conjured, as only a gifted poet can, a living, breathing organism that rose up and danced among us for 5 days. We watched in wonder as this beautiful being came to life, revealing itself little by little and enfolding us one by one into its wholeness. 

   As we danced, we shared laughter.  We shared tears.  We shared moments of resounding silence.  Songs with and without words sprang from our mouths and hearts.  

   And then we went our separate ways, each carrying a spark from that communal fire to start a hundred hatchling fires … and more.

  
   It all began with a line,  a question from Kimberly's notebook:
  
"Stranger, orphan, outlaw, beloved ... how shall we live, so many hungers upon us?"

   Creation circles formed.  Then, the circles met once a month from January through June and worked with prompts.  The prompts came in the form of packets of evocative thoughts and questions and poems pertinent to the subject at hand.  

Stranger.  Orphan.  Outlaw.  Beloved.  Hunger.

   The work was all about process, not product.  The journey, the exploration, the discoveries and the surprises, were all part of the essence of the work and the focus of the gatherings.  No one was expected to bring finished pieces each month and no one was to critique or interfere with anyone else's work.  Many struggled with this.  Many had to step outside habitual patterns in order to participate fully.  It was deep work, indeed.

   In July, we parted and worked alone, ultimately choosing one piece to bring to the final celebration week in November.  For most, that was a difficult choice.  I, for example, had begun a poem and an art quilt for each of the prompts.  I had to decide whether I would exhibit art or read a poem.  

   When we signed on, none of us knew what to expect of the Portsmouth Poet Laureate Project, not even Kimberly.  Thus, the days of unfolding were filled with a delicious curiosity and a sense of surprise at every turn — the wide-eyed sort of surprise you see on the faces of children as they encounter some new delight.  It was exhilarating.

   Working in such a collaborative spirit is good for the writer/artist’s soul.  I truly believe that.  Look around.  Listen.  Open.  

   And if there’s no such project in the works right now, create your own or set your own solo challenge.  Consciously choose to dance with the Universe.  Start by taking yourself on an "artist date" (a Julia Cameron creation).  Go alone to a gallery or into the woods and fill your self up with imagery, sensation, whatever the artist in you most needs.

   The other day in a gallery not far away, I found a piece by fiber artist, Jodi Colella.  It had an organic feel to it as it climbed the wall, spread up onto the ceiling and crawled into a corner of the space.  A nearby video showed the multiple participants involved in its creation — young and old, male and female — sitting cross-legged on a hard wood floor, each fashioning circles and tubes with soft pliable window screening and hand-stitching them together with steel wire.  When I saw the title card, I sucked in a breath and smiled, deeply satisfied.  It was called, “Hive.”

   A display in another room intrigued me as well and I spent time examining four dresses.  This solo artist had set herself the challenge of creating a dress a month of scraps and materials reflective of her life over the course of a year.

   Her work reminded my writer self of Maine Literary Fellow, *Claire Guyton, who challenged herself to write a short story a day for a year — a “daily shorty.”  (  www.dailyshorty.com  )

   I was filled with inspiration by these artists and the Poet Laureate Project and the community that came together in celebration. The specifics haven’t sorted themselves out as yet, but something’s brewing and my ears are open, listening to the wind. 

   There is nothing like accepting a ride on the let’s-share-an-adventure-express; and, there’s nothing like setting a challenge for yourself that stretches ahead into unknown territory, complete with a set end-point and a commitment to stick with it. 
   
   So.  What do you say?  What challenge might you offer your creative self?  What project might you join or found or fund?  

  Of course, you don't have to do anything at all.  But where’s the fun, the hidden surprises, in that? 

Light the Fire and Keep  It Lit
You are the spark -- be grateful!
                                                ---  Photograph by Mary Lou Bagley



* I first met Claire Guyton when our short stories were selected to be included in Summer Stories: Paintings by Leslie Anderson; Stories by Ten Maine Writers.  Three of hers which began as “daily shorties” are included in the book.  I highly recommend her site and her writing. Her story can be found on her blog site along with writing prompts and encouragement for self-challenges for writers.



Wednesday, November 12, 2014

A Nudge from Your Muse





 What have you written today?  Created today?  Imagined today? 

---  NULLA DIES SINE LINEA  ---
never a day without a line
 Horace  65-8 BC

   This is a motto that can be adjusted to any discipline.  Never a day without a sketch.  Never a day without a stitch.  Never a day without a dream.  

   You get the picture.  

  In the words of Donald M. Murray:  "The rear end is the writing muscle that makes the difference between the writers who want to write and don't, and those writers who want to write and do."

   Every day.  At least a line.

   Seat of the pants to the seat of the chair.  

   Now get to it.


Tuesday, May 20, 2014

A Question For You ...


nulla dies sine linea
Never a Day Without a Line
Horace 65-8 BC


   What have you written, created, dreamed today?


Sunday, May 4, 2014

Seat to the Seat Again & Again

  

 Are you writing/creating?  If so, keep at it.  If not, why not?

   I recently attended the inaugural Maine Crime Wave conference offered by the Maine Writers & Publishers Alliance (MWPA).  If you are not a member of such an organization, I highly recommend you join.  If you live in Maine, I highly recommend this one.

   Imagine a full day of panel discussions and workshops in the company of other writers and creatives.  Imagine sitting in a workshop with an author whose books you've read and receiving insights into that writer's process.  Imagine a panel made up of those who write and those who publish offering advice, constructive feedback, and encouragement.  Imagine opportunities to chat with others who "speak the same language," to have a manuscript critiqued, to interact with a broader community.

   How could you not come back to your writing desk inspired and enthused?

   The theme I heard most often repeated by writers and publishers alike was:  write a good book. Put your seat to the seat and keep putting it there until it's done. Publishers are looking for well written characters in well written stories. Don't think about publication until you have written something to publish! It's that simple. Take one step at a time and the first step is: write a good book.

   I can't say enough about the value of occasional conferences, retreats, and workshops.  They constitute an important part of my writing life.  I'm not a crime writer, but I gained a great deal from this very full day of immersion in the writer's craft in the company of other writers. (And, I may just pull out that short mystery story I wrote years ago and give it a rewrite!)

   Reinforced message of the day:  seat to the seat.  Again and again and again.


Thursday, February 13, 2014

A Little Ekphrasis Challenge To Get Your Creative Juices Flowing

  
   Ekphrasis.  

   What is it and why should you care?
  
   Simply put, ekphrasis is a written response (poem, short story, short short story, haiku, novel, etc.) to a work of art (painting, sculpture, photograph, fiberwork, etc.).  It may be written from the perspective of the viewer, a figure in the painting, any object/item in a painting, a landscape, the artist, the sculpture itself, etc.  It's a sort of sky's-the-limit kind of exercise.

   For example, I participated in a show called, "Ekphrasis: Face & Figure," and wrote a poem from the point of view of a young woman in a painting.  I sat with the painting, spent time really seeing it.  I jotted words and phrases as they came to me.  Then, over the course of a month, the poem emerged in her words.  It began, "If it's true, what they say about men and girls who wear glasses ..." 

   I also wrote a short story in response to a painting by Maine artist Leslie Anderson.  (Shanti Arts Publishing and the Maine Writers and Publishers Alliance invited Maine writers to submit stories and mine was one of the ten selected to be included in the resulting book, Summer Stories.)
   
  More than 20 of Leslie's paintings were presented.  One entitled, Last Night At the Lake, featured lawn chairs on a dock facing a setting sun across the water.  This immediately sent me into a story.  The painting chose me!

   Interestingly, in both cases (poem & short story), other writers chose the same painting as I did.  The resulting poems and stories were, of course, very different from one another.  This fascinated me and inspired this post.

  Below, I am offering photographs of some of my works.  I invite you to "respond" with a written piece of your own. (It may just be a line.)  It may arrive full blown.  It may require lots of time and space.  Whatever your process, I suspect it will prove interesting.

   I'd appreciate you letting me know your first impressions: words, phrases, images, thoughts,   ...   But, that's not necessary.

   Please consider sharing the "end" result at some time.  [If you don't have a google (gmail) or other account listed at the bottom of this post, email me or send a message through Facebook.]  

   You are welcome, of course, to keep it to yourself and simply enjoy the ride.

   Below you will find a series of faces and a figure:

             (all photos copyrighted materials  copyrightmaryloubagley2007-14 )











   Let one or more choose you.  Then,  ... write!
   
  


Saturday, January 4, 2014

Invitation to Review



   As you look out upon this new year, dear ones, I extend an invitation.

   I invite you to take a moment and revisit these Time To Write postings from 2013. (There are 9 of them and most are short.) I've offered them in friendship as encouragement, inspiration and support.  Though we may be solitary creatives, we are a community -- interconnected beings.  We keep each other going.

   Give yourself this gift of time: reflect and be reminded of who you are.

   What words of encouragement do you have to offer in exchange?

   [Commenting here is easy, but you must sign in first as instructed below.  You can also respond by email or facebook.]

  


   Blessings on this next trip around the sun!
                                                                                                Mary Lou